You know how if you really love a book it’s hard to rationally recommend it to people, you just push it on them saying “you just have to read it, it’s brilliant, just read it”? Well, The Call is a bit like that for me. Sometimes it’s harder to review a book you loved than one you quite liked, or one you hated. I am not quite sure what I expected from The Call, but I can tell you I was surprised by how much I LOVED it. I fell headfirst into the world of the book and only emerged twice – once to seriously consider putting it in the freezer because I was freaked; and once when my other half looked over and said “Jesus! Your face!” because I was reading through a distorted mask of facial tension. It’s that good.
The Call is like a mash-up of the darkest parts of Irish mythology and teen survival stories… albeit more Battle Royale than The Hunger Games. Let’s call it fantasy horror folklore, if we must genre it at all. Set in an Ireland where the Sídhe (fairy folk) have sealed the borders of the island and ‘call’ the youth of Ireland one by one to fight for their survival in the Grey Land where the Sídhe were banished thousands of years before. The call lasts three minutes of our time; twenty four hours of theirs. But the Fair Folk don’t just want to hunt their prey… they want to play with it.
Our heroine Nessa is a student at Boyle Survival College, one of several schools throughout the land where young people prepare for The Call that hardly any survive. They train to fight and to hide, study hunt theory and learn the enemy tongue – but for 25 years the population has been rapidly dwindling. Nessa is intelligent, beautiful, and a total badass who is determined that her disability will not stop her surviving the Call. Her pacifist vegan love interest Anto was definitely my favourite character (what? ethics and empathy are sexy!), and unusally for a teen ensemble piece the supporting characters were well developed. But it is well structured plot, the skillfully built up tension, and the twisted brilliance of the scenes in the Grey Land that sold me on this one – honestly don’t ask me to summarise it. Just read this one asap.
This is the very definition of YA not just being for young adults, it is a stonker of an adult read. That said, if you have young people in your life – they need this book and you should buy it for them immediately. Parental types – many are the excellent life lessons. Aunts/Uncles/Older siblings – there’s also loads of warped scary gross stuff, it’s a cool book to give, and the season of giving approaches!
Author Interview – Peadar Ó’Guilín
I met Peadar at the Easons brilliant DeptCon2, and despite my initial nervous burble I got it together enough to ask him to grace the blog with an author interview, which he did, because he’s only marvellous:
Welcome to Eats Plants, Reads Books Peadar! First up – I absolutely loved this book, it’s unquestionably one of my books of the year. When did you get the idea for The Call, and can you tell me a bit about the process of writing it?
Thank you! I always think you need to marry at least two separate ideas together to form a book. In this case, the first idea was just an image of somebody disappearing in the middle of a crowded room. Where had they gone? What was happening to them? The answers to these questions were provided by earlier short stories I’d written about the Sídhe and my conception of what their homeland must look like.
Did you spend a lot of time researching the Sidhe/Tuatha de Danann/faerie folk, or did you draw more on your cultural memory of these stories?
No. I did no research outside of what I grew up with. But that was considerable and I had always loved the stories, so a lot of it stuck. I didn’t worry about changing things, though. I’m a writer: I love to make things up and I’m pretty sure there’s not one person who touched those stories over the centuries without altering them in some way.
Despite the fantastical premise, this book felt totally grounded and real. Reading it I wondered what my impression would be if I wasn’t Irish/aware of Ireland’s folklore… was it hard to pitch to publishers outside of Ireland?
Not at all! You have to remember that a lot of people read SF and Fantasy, not because they want to visit the same old places again and again, but because they’re looking for a book to take them somewhere truly different. The UK and US publishers both bought publishing rights straight away. And a lot of translation deals are in the works too. I think the words “evil fae” are enough to get readers of any culture on board!